People often lament prog's near death in the '80s, but it was still very
much alive in certain areas of Europe. One such place was Germany, and
Peter Wustmann's WMMS label. One of the first bands to come from this
fledgling company was Bel Air. In 1986, guitarist Frank Baur, guitarist /
vocalist Steffen Wertz, drummer Fifi Maurer, bass player Hansjörg Vogt,
keyboard player Markus Vogt, and flautist Felicitas Oettinger got
together and recorded "Welcome Home." They had enough success to record a
follow up, but three years was enough to take its toll. When they went
back to record the follow up, 1989's "The sleeping Beauty," Fifi Maurer
had been replaced by Holger Oberfell, Steffen Wertz was replaced by
Klaus Meyer, and they brought in Andreas Kanthak to handle lead vocals.
They never recorded another album of original music. However, in 1994
the debut was repackaged and released as "A Golden Dream." This version
changed the original track order, and added two additional songs.
This
very AOR based Neo, although they do break into a little more symphonic
styles from time to time. On the whole though, I think they were
listening to a lot of Asia. I do find the vocals a bit confusing. After
losing Steffen Wertz, they were in the market for not just a guitarist,
but also a new lead vocalist. Since they decided to split the duties
between two people, I think they could have done much better than
Andreas Kanthak. Perhaps that is why they never recorded again.
- Frank Baur / guitar
- Andreas Kanthak / vocals
- Klaus Meyer / guitar
- Holger Obergfell / drums, percussion
- Felicitas Oettinger / flute
- Hans-Georg Vogt / bass, keyboards
- Markus Vogt / piano, synthesizers, vocals
1. Bel airways (4:23)
2. Just right (4:43)
3. Sleeping beauty (10:40)
4. Spider lines (5:06)
5. Shine on (6:52)
6. The last song (6:15)
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I'm Brazilian, I've always loved music and since I was little I buy and I listen to rock. During the 70's I met a magazine called Pop, which I christened German Pop, since it was of Germanic origin, I did not understand what was written in the great majority, but it was there that I met the groups that I publish here on the blog today. Rock made in Germany is one of my favorites, but my taste is very eclectic.
Sou brasileira, sempre amei música e desde muito pequena compro e ouço rock. Durante os anos 70 conheci uma revista chamada Pop, que batizei de Pop Alemã, uma vez que era de origem germânica, eu não entendia o que estava escrito na sua grande maioria, mas foi ali que conheci os grupos que hoje publico aqui no blog. O rock feito da Alemanha é um dos meus favoritos, mas meu gosto é muito eclético.
domingo, 13 de outubro de 2019
Klaus Dinger, La Düsseldorf - Néondian (1985)
La Düsseldorf is Klaus Dinger's side project after the scission of Neu!
in 1975. In this musical adventure, Dinger is accompanied by Thomas Dinger
and Hans Lampe who also participated to the recording of the third and
last Neu! The self titled album "La Dusseldorf" was released in 1976,
venturing from avant-garde for concrete noises, manipulated sounds,
pre-punk atmospheres. This album has a total disregard for musical
convention, the musicians don't hesitate to mix without restriction a
bunch of sounds taken from a great variety of musical styles (with pop
accents, motoric "electronic" pulses, krautrock weird instrumentals and
punk's eccentricity). After this original and diverse collection of
experiments, the band recorded their second "Viva" in 1978. A political
musical act against capitalism which comes directly during the classic
years of punk music. However this album remains progressive with
achieved synth instrumentations and insitent electronic beat in the
genre of Kraftwerk. Only the voice and the distorted "dirty" guitars
remind us the anger and "primitive" sound of Punk music. In their last
"Individuellos" (1980) the atmosphere is more relaxing than in the two
first and delivers a few "sensitive" ambient soundscapes next to
abstract & rhythmical "electronic" rock. After this creative musical
experience, Thomas Dinger has made an excursion in solo with Für mich..
Klaus Dinger and his Dingerland (the name given to his personal label)
carry on the way written by La Düsseldorf for the publication of several
projects, among others the album "Neondian" or the recent La! Neu?
recordings (a musical hybrid between Neu! and La Düsseldorf for long
synth / post rock sessions).
- Mon amour [8:56]
- Pipi AA [4:10]
- Neondian [7:58]
- America [5:40]
- Cha Cha 2000/85 [7:17]
- Jag Älskar Dig [6:25]
domingo, 26 de maio de 2019
Dhope “Musical Exhibitions” 1976 ultra rare Private killer Kraut Rock
Estou querendo publicar este disco a bastante tempo, mas justamente o tempo me faltava, enfim, consigo hoje trazer este disquinho mega raro de krautrock progressivo com uma fantástica fusão de guitarra, sobre os principais teclados / hammond órgão, baixo, bateria e vocais em Inglês.
Música muito complexa na melhor tradição do rock progressivo.
Bass – Claus Peter
Drums – Heiko Klingenberg
Guitar – Erlend Luck, Reinhard Hennecke
Keyboards – Niko Dragun
Vocals – Thomas Haberland
Tracklist
A1 Monotonie 2:48
A2 Dream Of Peace 7:36
A3 No More Trouble 3:22
A4 Snowqueen 4:53
A5 Aufbruch 3:40
B1 Orientexpress 3:50
B2 Do It Another Way 5:13
B3 Flying 2:40
B4 X-Ray 4:03
B5 Auf Ein Wort Herr General 6:00
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